From a post to the Music Dev list, I learned that there is an interest be YouTube performers about coming into SL to perform. I posted the following to the ontohollywood blog and am reposting it here:
As a member of the live music community of Second Life, I'd like to welcome all you readers to come into Second Life and check things out. It's a great place to catch a gig, make some friends or do just about everything that you can imagine.
It is also provides a wonderful opportunity for those of you looking for a place to perform YOUR original music, as long as you keep the following in mind:
(1) Second Life itself is pretty CPU and Graphics card intensive. Adding audio capture and streaming software to the mix will push your system to its limits, not to mention your broadband connection.
(2) Don't expect to learn Second Life AND performing in Second Life in the same day, or even the same week. It is going to take you a while to learn how to get around, communicate, find shows, listen to audio, rez something, search your inventory, buy stuff, etc. You HAVE to learn how to do all of that before you can even be in a position to consider live performing. My advice: get a SL account and spent a few weeks checking out gigs. You'll not only learn how to operate in SL, but you can get an idea of the venues that are available, meet some performers and make a determination as to whether or not SL is for you.
(3) Learning to stream audio is not as simple as "plug-n-play." After you get comfortable in SL and have settled on a virtual instrument to play, head over to one of the open mics that cater to new performers and introduce yourself. They can direct you as to which streaming application you should use and will walk you through the steps of accessing the stream, setting levels, etc. You are going to have to be able to juggle two or three different activities while performing. It's not hard, but does take a while to learn.
(4) Forget making any money in SL, at least at the beginning. No one is going to pay you to play if you don't know what you are doing, are an "unknown" in SL and don't have a following. Play for tips only. It will not only get you more gigs, but it will quickly give you some feedback as to whether or not performing in SL is for you. Think of it as virtual busking.
(5) Contrary to what you may think, SL is not a game to us residents. It is a place. We make friends, enemies, lovers; earn an income and spend a lot of time (and money!). There is a social protocol that is expected to be followed (e.g. use "/" before your typed chat at a gig) and an understood vocabulary. Behind every avatar is another human, some more fragile than others. Yes, there are some assholes in SL. There are also some of the finest people I have ever met. Please be one of the latter, and not the former.
(6) Audiences in SL prefer original music.
Feel free to email me and/or IM me if you make it in-world.
Best of luck,
Niko Donburi - The "Weird Al" of Second Life
www.nikodonburi.com
About Niko Donburi
Niko Donburi is best known for his parodies about the thriving virtual world known as Second Life. His lyrics depend largely on satirizing issues and aspects of Second Life--be it grey goo, Linden Lab, furries, or virtual romance.
Niko's parodies about Second Life are well known through out the SL community and were a staple of SecondCast, SL Under the Radar and other popular Second Life podcasts during the peak years of SL . Niko was a featured performer at the 2007 Second Live Community Convention in Chicago, Illinois, and he still holds the record for the largest virtual live music concert ever held in Second Life at 400+ separate sims.
Niko's music is frequently heard in the clubs of Second Life, with old skool virtual deejays keeping songs such as Dear Linden, Dear Linden, It's the End of the World as we know it (in Second Life), and My Favorite Things (About Second Life) in rotation. It's been said that if you really want to know the history of Second Life, all you need to do is listen to Niko's songs.
Niko's parodies about Second Life are well known through out the SL community and were a staple of SecondCast, SL Under the Radar and other popular Second Life podcasts during the peak years of SL . Niko was a featured performer at the 2007 Second Live Community Convention in Chicago, Illinois, and he still holds the record for the largest virtual live music concert ever held in Second Life at 400+ separate sims.
Niko's music is frequently heard in the clubs of Second Life, with old skool virtual deejays keeping songs such as Dear Linden, Dear Linden, It's the End of the World as we know it (in Second Life), and My Favorite Things (About Second Life) in rotation. It's been said that if you really want to know the history of Second Life, all you need to do is listen to Niko's songs.
The Songs
Clicking on each song title will take you to that specific song to listen to or download. All songs may be used under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Lyrics are available on the left side panel.
The Linden - On the train ride back from SLCC2007 in Chicago, I ran into a Linden... (parody of "The Gambler" by Kenny Rogers)
Virtual Stranger - For all those who have had their heart broken in Second Life.... (original)
My Favorite Things (about Second Life) - Pretty much self-explanatory... (parody of "My Favorite Things," the O&E classic)
Should I log in or Should I go now? - Sometimes it's no fun to be in SL... (parody of "Should I stay or should I go?" by The Clash)
Dear Linden, Dear Linden - The ultimate Second Life protest song... (parody of "Dear Abby" by John Prine)
SL Man - True stories about some of my virtual friends... (parody of "Piano Man" by Billy Joel)
It's the end of the world as we know it (in Second Life) - With every change or addition to the Grid, someone somewhere thinks it's all gonna end... (parody of "It's the End of the World as we Know it" by REM)
44 lines about 22 Lindens - I got to wondering one day about who these Lindens really are and what do they actually do... (parody of "88 Lines about 44 Women" by The Nails)
Escape (The Second Life Song) - Looking for love in SL? Best be careful your spouse doesn't find out... (parody of "Escape (the Pina Colada Song)" by Rupert Holmes.)
Wastin' Away in Second Life - An ode to the greatest time sink ever created... (parody of "Margaritaville" by Jimmy Buffett)
Second Life (that's where I want to be)- the anthem of the addictive world of Second Life (parody of "Up in Smoke" by Cheech and Chong)
Living Virtually - What keeps bringing people back to Second Life are not the graphics, the ability to create your own content or any other technological feat. It is the people. (original).
Machinima
Not all of my Second Life songs are parodies. Here are machinima for five of them that are not....
One of my most popular songs, this parody of the Cheech & Chong classic summarizes the Second Life experience quite nicely. It's annotated to explain what I'm actually singing about!
As amazing as Second Life is, it's the people behind the avatar that make it all worth while. This song is my way of thanking all those who have been my virtual friends...
As many of you know, Second Life allows you to reach a level of intimacy with another person that is beyond the physical. The wall of physicality that we carry with us in the real world gets set aside, exposing our hearts and minds. Such exposure can easily lead to wounds. This song tries to answer the question of how can someone whose virtual cause so much pain that is physical? It was made by my good friend chugabug midnight during the record breaking show from liam and chrissy's barcelona sim and is dedicated to....
Whenever I would bring anyone into SL, the first place I would show them was Svarga. Svarga was the center of artificial life in Second Life. Everything in the entire sim was created to be interdependent, from the clouds to the insects to the plants. You can read more about Svarga here, at New World Notes.
But Svarga, like Niko Donburi, is now a thing of SL lore. It no longer exists. Fortunately, I had filmed a machinima exploration of the sim, which does not do it justice but at least provides a glimpse at what many consider was the most incredible thing ever created in Second Life. This is a solo guitar composition written specifically for the machinima.
Finally, I would be remiss if I did not include this one of Koryo. This is a parcel long donated to me as a music creation space from my best SL friend, Elwood Abernathy. When I am not performing live in Second Life I would often plug in and play here. Since this was my first machinima, you'll note I forgot to turn off my title. If you look closely, however, you'll see that I am listed as busy. Fitting, that. I had scoured the SL vendors and included as much artificial life on the parcel as possible, including weather effects, renewing flowers, butterflies, birds, insects, and, of course, my cat.
One of my most popular songs, this parody of the Cheech & Chong classic summarizes the Second Life experience quite nicely. It's annotated to explain what I'm actually singing about!
As amazing as Second Life is, it's the people behind the avatar that make it all worth while. This song is my way of thanking all those who have been my virtual friends...
As many of you know, Second Life allows you to reach a level of intimacy with another person that is beyond the physical. The wall of physicality that we carry with us in the real world gets set aside, exposing our hearts and minds. Such exposure can easily lead to wounds. This song tries to answer the question of how can someone whose virtual cause so much pain that is physical? It was made by my good friend chugabug midnight during the record breaking show from liam and chrissy's barcelona sim and is dedicated to....
Whenever I would bring anyone into SL, the first place I would show them was Svarga. Svarga was the center of artificial life in Second Life. Everything in the entire sim was created to be interdependent, from the clouds to the insects to the plants. You can read more about Svarga here, at New World Notes.
But Svarga, like Niko Donburi, is now a thing of SL lore. It no longer exists. Fortunately, I had filmed a machinima exploration of the sim, which does not do it justice but at least provides a glimpse at what many consider was the most incredible thing ever created in Second Life. This is a solo guitar composition written specifically for the machinima.
Finally, I would be remiss if I did not include this one of Koryo. This is a parcel long donated to me as a music creation space from my best SL friend, Elwood Abernathy. When I am not performing live in Second Life I would often plug in and play here. Since this was my first machinima, you'll note I forgot to turn off my title. If you look closely, however, you'll see that I am listed as busy. Fitting, that. I had scoured the SL vendors and included as much artificial life on the parcel as possible, including weather effects, renewing flowers, butterflies, birds, insects, and, of course, my cat.
Tuesday, November 13, 2007
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